Mara Helmuth Composer / Computer Music

2197 Shasta Place (513) 481-6944 (Home)

Cincinnati, OH 45211 (513) 556-0807 (Office)

(513) 300-3386 (Cell)

College-Conservatory of Music, University of Cincinnati, Cincinnati, OH 45221-0003

email: Mara.Helmuth@uc.edu or helmutmm@ucmail.uc.edu

fax: (513) 556-0202

http://meowing.ccm.uc.edu/~mara/

Work Experience:

9/08 Professor of Music Composition, University of Cincinnati, College-Conservatory of

Music. Teaching graduate and undergraduate-level composition, computer music,

theory and related subjects; Director, CCM Center for Computer Music.

9/01-08 Associate Professor of Composition, University of Cincinnati, College-

Conservatory of Music. Teaching graduate and undergraduate-level composition,

computer music, theory and related subjects, graduate advising; Director, CCM

Center for Computer Music.

9/95-8/01 Assistant Professor of Composition, University of Cincinnati, College-

Conservatory of Music. Teaching graduate and undergraduate-level composition,

computer music, theory and related subjects; Director, CCM Center for Computer

Music – the electronic and computer music studios.

9/93-8/95 Assistant Professor, Music Program, Texas A&M University, College Station,

TX. Taught electronic/computer music, music theory and music appreciation. Began Sonic Explorations concert series, set up website for computer music.

1/93-8/93 Adjunct Instructor at New York University, part time, of MIDI Technology II.

9/89-5/93 Teaching Assistant in computer music at Columbia Univ. Music Dept.

11/91-4/92 Recording Columbia Composers’ Concerts.

6/90-10/92 Campus consultant for NeXT Computer, Inc, programming, demos.

9/89-1/92 Systems and Applications Programmer, Office of Info. Serv., Columbia Univ.

1/89-9/89 Programmer/Analyst for Loan Pricing Corporation.

9/88-8/89 Research Assistant in Computer Music, Columbia Computer Music Center.

9/88-5/89 Readership at Columbia University Music Department 19-20^th Cen theory.

2/87-8/87 Digital Computer Operator, University of IL Digital Computer Lab.

1984-1986 Teaching Assistant, theory, University of Illinois, Urbana, Music Department.

Education:

1987-1994 Doctor of Musical Arts in composition, Columbia University, May, 1994.

1984-1986 Master of Music in composition, University of Illinois, May, 1986.

1975-1979 Bachelor of Arts in Music from the University of Illinois, May, 1979.

1975 Graduated from Glenbrook North High School, Northbrook, IL.

Recordings:

Sound Collaborations, compact disk, Centaur: Consortium to Distribute Computer Music

v. 36, CRC 2903. 2007.

“Meeting the Free Dreamer,” on Open Space CD 16 with Elaine Barkin, Emma Carle and

Judith Exley, Open Space, Red Hook, NY. 2004.

Implements of Actuation, a compact disk of collaborative works with Allen Otte,

Electronic Music Foundation, EMF 023, 2001.

Master Classes, Residencies

Jul. 7-13, 2007, Tamagawa University, Tokyo, Japan. Multimedia and computer music.

June 13-July 1, July 21-29 2007, Sino-Nordic Arts Space, Beijing. Artist in Residence.

Mar. 5-6, 2007, University of Illinois, Urbana-Champaign, IL. With NeXT Ens.

Feb. 28, 2005, Tulane University, New Orleans, LA.

June in Buffalo, June, 2004, Univ. at Buffalo, NY. Faculty composer.

Sino-Nordic Performance Arts Space, Beijing, 2003. Visiting Composer.

Interfaced Culture Conference, Yale University, May, 2002.

College Music Society, Women in Music Technology Workshop, Agnes Scott College,

Atlanta, GA, May, 2000.

Music Software: (recent is available on the internet at http://meowing.ccm.uc.edu/

or ftp://meowing.ccm.uc.edu in /pub/mara.), including granular synthesis cmix

instruments: sgran, stgran, samgran, fsgran and mmell, a moving elliptical filter.

StochGran - Graphical granular synthesis instrument interface.

Macintosh OSX current version. Previous: Silicon Graphics ( C++/Motif) and

NeXTstep versions.

Soundmesh / (formerly Internet Sound Exchange) - RTcmix based network

improvisation application for Internet2 on SGI, Linux, MacOSX.

Patchmix - Graphical instrument building interface to the Cmix programming language.

1989-1997. NeXTstep and C++/X versions.

PieceNow - NeXTstep improvisation interface to rtmix, 1990.

Reviews of or Writings on My Work:

Mellipse 2 and No. 7 for Gyil and Computer reviewed by Karen Moorman for the

Classical Voice of North Carolina, 2008

http://cvnc.org/reviews/2008/022008/Computer.html

Analytical Methods of Electroacoustic Music reviewed by James Harley, Computer

Music Journal, 31:2, pp 78-81, 2007.

“Implements of Actuation” reviewed by Ross Feller, Computer Music Journal, Fall 2003

EMF@Flea Helmuth/Otte 2002 concert reviewed by Alicia Zuckerman, on Arts- Electric website: www.arts-electric.org/articles0203/020411.emf.html.

EMF@Flea Helmuth/Otte 2002 concert reviewed by Bob Gluck, on EMF website:

www.emf.org/productions/200102/bgarticle.html.

“Implements of Actuation” reviewed by Doug Geers, online ICMA Array:

www.computermusic.org.

Dodge, Charles and Tom Jerse, Computer Music: Synthesis, Composition and

Performance, discussion of Sound Colors, pp. 418-419, Schirmer Books, 1997.

“Dragon of the Nebula” in 1991 ICMC Review in Computer Music Journal, v. 16, 1992.

“Mellipse” reviewed in ARRAY, v. 16, no. 3, fall 1996.

Grants:

2007 Friends of CCM for lesbian DVD publication

2007 Tangeman Sacred Music Fund, University of Cincinnati, $5000.

2007 Open Meadows Foundation, for lesbian DVD project, with 5 collaborators, $1500.

2006 UC University Research Council for Sound Collaborations CD $6500.

2004 Friends of CCM Faculty Projects Pool for Sound Collaborations CD, $800.
2003 Friends of CCM Faculty Projects Pool for “Composing for Ch’in and Digital

Processing” in Beijing, $540.

2003 University of Cincinnati Research Council Faculty Research Grant for

“Composing for Ch’in and Digital Processing” in Beijing, $2500.

2002 Meet the Composer grant for Oberlin talk/performance, $200.

1999 University of Cincinnati Research Council Faculty Research Grant for collaborative

CD with Allen Otte put out by the Electronic Music Foundation, $4500.

1994-1995 Computer Innovation Grant, from Assoc. Provost for Computing, Texas

A&M University, $5000.

1994-1995 Sonic Explorations Concert Series from Brazos Valley Arts Council, $2500.

Fellowships:

1996 University of Cincinnati Summer Faculty Research Fellowship for Sound/Graphics

$4000

1992-1993, and 1991-1992 President’s Fellow, Mellon Fellowship, Columbia University

Compositions:

Meeting the Free Dreamer (rev, 2008) piano and tape version

Light Descends Into Your Heart (2008) piano and live electronics version

Where Is My Voice? (2008) fixed format stereo audio version

Where Is My Voice? (2008) speaker and fixed format stereo audio version

Improvisation with Qin and Perc. No. 3 qin, percussion, interactive computer

Hidden Mountain (2007) interactive computer music installation

Where Is My Voice? (2007) vn, b cl, db and stereo audio

Coyote on the Runway (2007, w/Bunte, Garner) computer music for improv with fl, sax

String Paths (2007) graphic score for N musicians

Butterfly Within (2006) flute and stereo audio

Primary Materials (2006) percussion trio and 5.1 audio

Improvisation with Qin No. 1 (2005) qin, interactive computer

China Prism (2005) interactive light sensor system, computer, dancer

Inchoate Energies (2004) piano, interactive computer

No. 7 for Gyil and Computer(w/Otte, 2004) Ghanian xylophone, logs, computer

Smoke(2004-5, w. R., A. VanMatre) interactive computer, saxophones, artwork

The Man and the Moon(2004-5, w. Alan Bern)interactive computer system and accordion

The Edge of Noise (2004) fl, perc, elec. guit, sop, pno, vn, vc, computer

Mountain Wind (2003) pipa solo, fl, al fl, bsn, vn, vc, computer

Staircase of Light (2003) interactive computer music installation

Emei Shan Resonance I (2003) qin and digital video (in progress)

Origins of a Fantastic Dream (2002) orchestra and digital audio

bugs and ice:A Question of Focus (2002)tape

Rippling (2000) any number of instruments or voices

(work in progress...)(2000, w.A.Otte) amplified pencil and tape

Loonspace (2000) 1-3 percussionists and tape

Move! (1999, extended ver., with A. Otte) snare drum and tape

Savitri’s Gaze (1999, with D. Fiedler) 2 narrators and tape

Mellipse 2 (1999, with A. Otte) tape and percussion

Implements of Actuation (1998, with A. Otte)electric mbira, bicycle wheels and tape

Abandoned Lake in Maine (1997) tape

Move! (formerly Moving You) (1996) snare drum and tape

Light Descends into your Heart (1996) piano

4 Systems (1996, realization of E. Brown score, with A. Otte) snare drum and tape

Ah! (1995) tape

Sound Colors (1995) live computer installation

Chimeplay (1994) tape

Two Fantasies for ISPW(1994) IRCAM Signal Processing Workstation

Evolutions for Eight Instruments and Computer (1994) fl, cl, al sx, hp, 2 perc, vn, vc

Meeting the Free Dreamer(1992) computer generated tape

Meeting the Free Dreamer(1992) piano and computer

Dragon of the Nebula (1991) computer generated tape

Piece Now (1991) improvisation design collaboration

Torn Triangles (1990) ob, tpt, bass tn, vn, vla, db

Song for Earth Day (1990) computer-generated tape

Two Meditations (1990) alto fl, cl, bsn, pno, 2 vn

Songs for Mezzo, Cello and Percussion on Li Shang-Yin Texts (1989)

Whalesong (1989) computer-generated tape

Mellipse (1988) computer-generated tape

Formation/Degradation (1988) symphony orchestra

Stepping (1988) shakuhachi

Islands (1988) computer-generated tape

Sandy Waves (1987) computer-generated tape

Connections (1986) percussion quartet

Collective Inspiration (1986) audience and conductors

Occurrents (1986) analog tape

Because (1985) string quartet

Arc-shelled (1984) computer-generated tape

By the Mulberry Bush (1985) 4 actors and piano

Hot Porcelain (1984) analog tape

Cracking (1984) picc, cl, perc, vla, db

Stream Collisions (1984) guitar

Songs for Voice and Piano (1979, 1983)

Three Faces (1980) analog tape

Streamline (1980) snare drum

Paradigm (1979) analog tape

Multimedia:

Lifting the Mask (2008) in-progress video

Mountain Wind (video version, 2004) video

Device & Devices (2002) collaboration with Kimberly Burleigh, computer animation

(e) (1995) collaboration with Mary Beth Haggerty, computer animation

Music for Theater:

Ankle Diver - (2000, M. Suttor) programming and segment of computer music for

multimedia interactive dance production at Yale University.

Clotho (2000, with A. Otte) computer music for interactive drama for sop, perc, tape

Amore e Guerra, Monteverdi, (1998, A. Otte) computer music for ensemble + tape for

Opera Theater of Lucca, Lucca, Italy

Selected Performances:

Butterfly Within Nov 15, 2008

Korean National University of the Arts, Seoul, Korea

Butterfly Within Nov 11, 2008

Korean Electroacoustic Music Festival/SICMF, Seoul, Korea

The Man and the Moon Aug 28, 2008

ICMC 2008, SARC, Queen’s University, Belfast

Abandoned Lake in Maine May 6, 2008

Improvisation for dance, music and sensor system May 6, 2008

Sonic Explorations, CCM, Univ. Cincinnati

Where is My Voice? May 2, 3, 2008

No. 7 for gyil and computer May 2, 3, 2008

Performance Time Arts Series, College Hill Town Hall, Cincinnati

Ah! April 26, 2008

60x60 Project: Midwest Minutes 2007, Webster Univ., Webster Groves, Missouri

Where is My Voice? April 15, 2008

Improvised Music (Internet2) April 15, 2008

Sonic Explorations Internet 2 Concert, CCM, Univ. Cincinnati

Improvisation No. 3 with Qin, Percussion and Computer April 11, 2008

Florida Electroacoustic Music Festival, Univ. Florida, Gainesville

bugs and ice: a Question of Focus Mar. 5, 2008

Earfest, SUNY Stony Brook

No. 7 for gyil and computer Feb. 25, 2008

Mellipse 2 Feb. 25, 2008

North Carolina Computer Music Festival, NC State Univ., Raleigh

Improvisation No. 3 with Qin, Percussion, and Computer Feb. 1, 2008

Sonic Explorations, CCM, Univ. Cincinnati

No. 7 for gyil and computer Feb. 1, 2008

Allen Otte recital, Bellevue Church, KY

Ah! Feb., 2008

60x60 2007 Midwest Minutes, Grand Valley State Univ. Art Gall., Allendale, MI

Ah! Jan. 17, 2008

60x60 2007 Midwest Minutes, Southern Coll., Birmingham, AL

Ah! Nov. 14, 2007

60x60 2007 Midwest Minutes, Georgetown Coll., Georgetown, KY

Ah! Oct. 12, 2007

60x60 2007 Midwest Minutes, Elec. Music Midwest Fest., Kansas City, KS

Ah! Oct. 9, 2007

60x60 2007 Midwest Minutes, Kentucky New Music Festival, Louisville, KY

Hidden Mountain Jul. 27, 2007

Sino-Nordic Arts Space, Beijing

String Paths Apr. 20, 2007

Sam Houston University, TX

bugs and ice: a Question of Focus Apr. 16, 2007

Sonic Explorations, CCM, Univ. Cincinnati

Device & Devices 2007

Videotheque Ephemere 2007, VIDEOFORMES, Clermont-Ferrand, France

Move! Mar. 26, 2007

National Taiwan Normal University, Taipei, Taiwan

The Edge of Noise Mar. 5, 2007

NeXT Ens, University of IL, Urbana-Champaign

Butterfly Within (1,II,III) Feb., 27, 2007

Coyote on the Runway Feb., 27, 2007

Faculty Artists Series Recital with James Bunte, Bradley Garner

CCM, Univ. Cincinnati

Improvisation with Qin, No. 1 Feb. 21, 2007

Spark Festival, University of Minnesota, Minneapolis, MN

No. 7 for Gyil and Computer July, 2006

Percussion Institute, Oberlin

bugs and ice: a Question of Focus June 29, 2006

International Women’s Electroacoustic Listening Room Project On the Road

BIMhuis in the Muziekgebouw, Amsterdam, NL

Butterfly Within (I) Apr. 17, 2006

Sonic Explorations with NeXT Ens, CCM, Univ. Cincinnati

Butterfly Within (I), bugs and ice: A Question of Focus Apr. 2, 2006

Gallimaufry, Birmingham Art Music Alliance, Unit. Univ Church, Birmingham AL

No. 7 for Gyil and Computer Jan 20, 2006

Sonic Explorations, CCM, Univ. Cincinnati

The Man and the Moon, Where is My Voice, Primary Materials, Smoke,

Abandoned Lake in Maine Jan. 12, 2006

Faculty Artists Series Recital, CCM, Univ. Cincinnati

Improvisation with Qin, No. 1 Dec. 2, 3, 2005

Performance and Time Art Series, College Hill Town Hall, Cincinnati

Clotho (4 pieces) Nov. 11, 2005

Detroit Institute of Art

No. 7 for Gyil and Computer Oct. 27, 2005

Festival of New Music and Art, Bowling Green State Univ., Bowling Green, OH

Device & Devices Sept. 2005

International Computer Music Conference, Barcelona

Mellipse 2 July 9, 2005

De La Arts Space opening, Cincinnati

Improvisation with Qin, No. 1 July, 2005

In and Out of the Sound Studio Conference, Concordia Univ., Montreal

Improvisation with Qin, No. 1 June 24, 2005

Tracing Change Concert, Columbia Univ., Feminist Theory and Music Conf, NYC

Improvisation with Qin, No. 1 June 11, 2005

Cincinnati Composers Plus Concert, Music 05 Fest., Univ. Cincinnati

The Man and the Moon Apr. 19, 2005

Sonic Explorations, CCM, Univ. of Cincinnati

The Edge of Noise Apr. 15, 2005

Society of Electroacoustic Music in the US, Ball State University, Muncie, IN

The Edge of Noise Apr. 7, 2005

Florida Electroacoustic Music Festival, Univ. of Florida, Gainesville

bugs and ice: A Question of Focus Mar. 11, 2005

Merging Voices Festival, California State University, Fullerton

bugs and ice: A Question of Focus Feb. 28, 2005

Improvisation with Qin Mountain Wind 2

Abandoned Lake in Maine China Prism Inchoate Energies

Music of Mara Helmuth, Women Composers Series, Tulane Univ., New Orleans

China Prism Jan. 26, 2005

Sonic Explorations, CCM, Univ. of Cincinnati

bugs and ice: A Question of Focus Jan. 22, 2005

Ball State New Music Festival, Muncie, IN

Mellipse 2 Nov. 2004

International Computer Music Conference, University of Miami, FL

China Prism Oct 22 and 23, 2004

Performance Time Art Series, College Hill Town Hall, Cincinnati

Mountain Wind 2 Oct 21, 2004

(e)

Bowling Green State University New Music and Art Festival, Interventions

The Edge of Noise Sept. 17, 2004

Inchoate Energies

Electronic Music Midwest Festival, Lewis University, Romeoville, IL

The Edge of Noise June 15, 2004

Music 04, Werner Hall, CCM, Univ. Cincinnati

bugs and ice: A Question of Focus June 5, 2004

Inchoate Energies June 6, 2004

June in Buffalo Festival, Univ. at Buffalo

Implements of Actuation May 20, 2004

Fringe Festival, Contemporary Arts Center, Cincinnati

Moonshine May 20, 2004

Live Electronic Music Class Concert, Atrium, CCM, Univ. Cincinnati

Inchoate Energies May 17, 2004

Shiau-uen Ding Doctoral Cognate Recital, CCM, Univ. Cincinnati

Smoke Apr. 13, 2004

No. 7 for Gyil and Computer

Mountain Wind

The Edge of Noise

Sound Collaborations, Contemporary Arts Center, Cincinnati

bugs and ice: A Question of Focus Feb. 21, 2004

Mountain Wind 2

Spark Festival, University of Minnesota, Minn. MN

Mountain Wind Nov. 22, 2003

Ming Ke - Traditional Music of China, Werner Recital Hall, CCM, Univ. Cincinnati

Mountain Wind Nov. 14, 2003

CCM Composers’ Concert, Rodney Winther, cond.

Werner Recital Hall, CCM, Univ. Cincinnati

Staircase of Light interactive installation dance performance

June 27, 2003 Sino-Nordic Performance Arts Space, Beijing

bugs and ice: A Question of Focus Mar. 13, 2003

Society of Electroacoustic Music in the US, Arizona State Univ.

Origins of a Fantastic Dream Mar. 12, 2003

Arizona State University Symphony Orchestra, Nicholas Ross, cond.

Gammage Auditorium, Arizona State University

bugs and ice: A Question of Focus Dec. 6, 2002

Electronic Music Midwest Festival, Philip Lynch Theater, Lewis University, IL

Mellipse 2 Nov. 16, 2002

Ohio Composers of Electroacoustic Music (OCEAn)

Oberlin Conservatory, Warner Concert Hall

bugs and ice: a Question of Focus Oct. 18, 19, 2002

Performance and Time Art Series, Towne Hall, Cincinnati

Mara Helmuth performed I/O by Benjamin Boretz

with the composer Oct, 13, 2002

Festival of Experimental and Interactive Music, CCM

Origins of a Fantastic Dream Oct. 15, 2002

CCM Philharmonia Orchestra, Mark Gibson, cond.

bugs and ice: A Question of Focus May 21, 2002

Interfaced Culture Conference, Yale University

Mellipse 2 April 29, 2002

bugs and ice: A Question of Focus, Souvenir

EMF@Flea, Electronic Music Foundation, Flea Theater, New York

Mellipse 2 Apr. 6, 2002

Society of ElectroAcoustic Music in the US, Univ. of Iowa

A Question of Focus: bugs and ice Jan. 28, 2002

Sonic Explorations, Studio Theater, Univ. of Cincinnati

Move! Nov. 28, 2001

Loonspace Fall, 2001

Grand Valley State College, Grand Valley, MI

Abandoned Lake in Maine Sept. 21, 2001

International Computer Music Conference 2001

Che Guevarra Hall, Casa de las Americas

Mellipse 2 Mar. 2001

Move! May 18, 2001

Abandoned Lake in Maine, Implements of Actuation

Contemporary Fridays, Contemporary Art Center, Cincinnati, OH

Abandoned Lake In Maine Nov. 17, 2000

OCEAn - Ohio Composers of Electroacoustic Music Festival, Oberlin, OH

Clotho

Miami University Sept. 8 and 9, 2000

Studio Theater, CCM Sept 28 and 29, 2000

Rippling July 21, 2000

Deep Listening Retreat, Haliburton Forest, Ontario, Canada

Loonspace, Move! July 3, 2000

Oberlin Percussion Institute, Oberlin College

Souvenir May 20, 2000

Old First Reform Church, New York City

Souvenir May 5, 2000

Sonic Explorations with Diane Thome, PTC, CCM, Univ. Cincinnati

Dragon of the Nebula Mar. 10, 2000

Society of ElectroAcoustic Music in the US, Univ. N. Texas, Denton, Sky Theater

Move! Feb. 28, 2000

Timara Studio, Oberlin College

Move! Feb. 27, 2000

Cleveland Festival of Electro-Acoustic Music 2000, Cleveland State University

Move! Jan. 30, 2000

Mellipse 2, Loonspace , (work in progress...), Implements of Actuation

Faculty Artists Series Recital with A. Otte, Studio Theater, CCM, Univ. Cincinnati

Mellipse 2 Jan. 25, 2000

Sonic Explorations, Studio Theater, CCM Univ. Cincinnati

Loonspace Jan. 7, 2000

Percussion Group Cincinnati, Studio Theater, Univ. Cincinnati

Loonspace(Abandoned Lake in Maine)Nov. 17, 1999

Valparaiso University Guest Series, Valparaiso, IN

Move! Nov. 8, 1999

Contemporary Music Forum, SEAMUS EA Week, Washington D.C.

Abandoned Lake in Maine Oct. 9, 1999

Converging Currents, Miami Forest Park, OH

Abandoned Lake in Maine(Loonspace)Sept. 25, 1999

with Percussion Group Cincinnati

Vontz Microbiology Center Opening, Univ. Cincinnati, OH

Dragon of the Nebula Aug. 27, 1999

Computer Music Festival Seoul ‘99, Seoul Arts Center, Seoul, Korea

(e) June 25, 1999

Abandoned Lake in Maine

Converging Currents, Baba Budan’s Cafe, Cincinnati, OH

computer music for Untitled Percussion Trio by Lai Deh-Ho June, 1999

Percussion Group Cincinnati,Taiwan

Savitri’s Gaze June 4, 1999

Musicircus, Southgate House, Newport, KY

(e) May 13, 1999

Sonic Explorations, CCM, Univ. Cincinnati

Abandoned Lake in Maine May 13, 1999

Queens College, New York, NY

Abandoned Lake in Maine Mar., 1999

3rd Annual Women’s Composers Festival, Univ. of Florida

Abandoned Lake in Maine Mar., 1999

Mercer College, Macon, GA

computer music for Untitled Percussion Trio by Lai Deh-Ho Feb. 26, 1999

Percussion Group Cincinnati, CCM, Univ. Cincinnati

SoundColors Jan. 28, 1999

Sonic Explorations, CCM, Univ. Cincinnati

Move! Jan. 25, 1999

Evergreen College, Washington

Abandoned Lake in Maine Dec. 8, 1998

Video Concert, Bates College, Lewiston, ME

Mellipse 2 Nov. 19, 1998

Sonic Explorations, CCM, Univ. Cincinnati

Two Meditations Nov. 13, 1998

Contemporary Music Ensemble, CCM, Univ. of Cincinnati

Abandoned Lake in Maine Nov. 12, 1998

Virginia Center for Computer Music, Univ. of Virginia

Move! Nov. 10, 1998

Abandoned Lake in Maine, Mellipse 2, Implements of Actuation

Guest Recital with Allen Otte, Transylvania Univ., Lexington, KY

Implements of Actuation July 14, 1998

Oberlin Conservatory, Percussion Institute

computer music for Opera Theater July 14, 16, 1998

of Lucca, Amore e Guerra, Claudio Monteverdi

Music extracted from the Overture June 3, 1998

to the Opera Theater of Lucca production of Monteverdi Madrigals, Book 8.

Songs for Mezzo, Cello and Perc. April 28, 1998

Sonic Explorations, CCM, Univ. Cincinnati

Implements of Actuation April 21, 1998

Columbia University Computer Music Center, New York City, NY

Implements of Actuation April 20, 1998

Princeton University Music Dept., Princeton, NJ

Abandoned Lake in Maine April 17, 1998

Society of Electroacoustic Music in the US, 1998, Dartmouth College

Implements of Actuation Mar. 27 and 28, 1998

Performance Time Art Series, Dance Hall, Cincinnati, OH

Implements of Actuation Mar. 13, 1998

Festival of Compositions - Herbert Brun’s 80th Birthday Year, Urbana, IL

Implements of Actuation Jan. 28, 1998

Sonic Explorations, CCM, Univ. of Cincti

Light Descends Into Your Heart Jan. 21, 1998

Songs for Mezzo, Cello and Perc., Move!

Implements of Actuation (with A. Otte), Mellipse

Song for Earth Day, Abandoned Lake in Maine

Mara Helmuth Faculty Artists Series Recital, CCM, Univ. Cinti

(e) Nov. 16, 1997

CCM Contemporary Music Ensemble, Cincinnati Contemporary Arts Center

Abandoned Lake in Maine Nov. 9, 1997

Eucue Concerts, SEAMUS, Montreal, Quebec

Abandoned Lake in Maine Nov. 7, 1997

Society of Electroacoustic Music in the US, Concert, Univ. of S. Carolina,

Columbia, SC

Abandoned Lake in Maine Oct. 17, 1997

Sonic Explorations, (CCM)2, Univ. Cinti

Sound Colors Sept. 28-30, 1997

International Computer Music Conference, Thessaloniki, Greece

Chimeplay August, 1997

IV Brazilian Symposium on Computer Music, Brazil

Abandoned Lake in Maine July 19, 1997

Urbana, IL, Funny Music 1997

Abandoned Lake in Maine June 6, 1997

Implements of Actuation

Music Circus, CCM, Univ. Cinti

Abandoned Lake in Maine June 5, 1997

Synthese 97, Institut International de Musique Electroacoustique, Bourges, France

Abandoned Lake in Maine May, 1997

SEAMUS concert, Bourges, France

Abandoned Lake in Maine April 28, 1997

Sonic Explorations, CCM, Univ. Cincinnati

(e) April, 1997

Society of Electroacoustic Music in the US, Kansas City, MO

Move! Jan. 30, 1997

Meeting the Free Dreamer

Sonic Explorations, CCM, Univ. Cincinnati

Ah! Oct. 11, 1996

4 Systems (Brown, Otte), Moving You

Light Descends into your Heart

Music Now! CCM Faculty Composition Recital, Corbett Auditorium

Ah! Sept. 23, 1996

Chimeplay, Sound Colors

Mount Adams Cultural Series, Monastery Bookstore, Cinti

Mellipse (with Guang Dong Modern Dance Co.) Sept. 12, 1996

Guang Dong, China

Mellipse Sept. 17, 1996

Korean ElectroAcoustic Society, Seoul, Korea

Ah! Aug. 24, 1996

City Hall Exhibition Hall, Hong Kong

Mellipse (with Guang Dong Modern Dance Co.) Aug. 24 and 25, 1996

International Computer Music Conference, City Hall Theatre, Hong Kong

Moving You (Brown, Otte) July, 1996

Oberlin, OH

Sound Colors Installation June 21, 1996

4 Systems (by Brown, w. Otte) June 21, 1996

Music Circus: CCM, Cincinnati, OH

Light Descends Into Your Heart June 16, 1996

Unitarian Universalist Church, Cincinnati, OH

4 Systems (Brown, Otte) May 30, 1996

Allen Otte, Schagzeug, History of Darmstadt Festival, Saarbrucken, Germany

(e) May 13, 1996

Abandoned Lake in Maine May 13, 1996

Sonic Explorations: CCM, Cincinnati, OH

(e) Apr. 27, 1996

Sight and Sound: Hong Kong University of Science and Technology

Chimeplay April 19, 1996

Society for ElectroAcoustic Music in the United States, Birmingham, AL

(e) Feb. 19, 1996

Widening the Margins: City Hall Exposition Hall, Hong Kong

Mellipse Jan. 25, 1996

Panorama of Electronic Music: CCM, Cincinnati, OH

Dragon of the Nebula, Chimeplay Oct. 12, 1995

Faculty Composers Concert, CCM, Cincinnati, OH

Mellipse/(e) Sept. 19-23, 1995

International Symposium of Electronic Arts: Montreal, Quebec (Electronic Cabaret)

Chimeplay Sept. 3-6, 1995

International Computer Music Conference: Banff, Alberta

Chimeplay Summer, 1995

Walker Arts Center, Minneapolis, MN

Chimeplay June 9, 1995

1995 Australian Computer Music Association Conference, Univ. of Melbourne

Chimeplay May. 8, 1995

Minnesota Composers Forum: Sonic Circuits, Northfield, MN

Sound Colors Mar. 27, 1995

Sonic Explorations, Women Composers, Texas A & M University Music Program

Sound Colors Mar. 25, 1995

Society for ElectroAcoutic Music in the United States, Ithaca, NY

Two Fantasies for ISPW, No. 1 Dec. 12, 1994

Princeton University, Composers Concert

Chimeplay Nov. 14, 1994

Chamber Ensemble Concert, Texas Composers’ Music, Texas A&M University Meeting the Free Dreamer Mar. 10, 1994

Three Concerts of Studio Music, Clark University, Worcester, MA

Dragon of the Nebula Feb. 17, 1994

Three Concerts of Studio Music, Clark University, Worcester, MA

Evolutions - Live Computer Performance May 30, 1993

Planetary Party, CBGB Gallery, NYC

Song for Earth Day Apr. 18, 1993

CBGB Gallery, Real Computer Music, New York City

Dragon of the Nebula Apr. 16, 1993

Listening Session at Science and Music Conference: City University, London

Mellipse Apr. 16, 1993

Skidmore College, NY

Mellipse May 18, 1993

Dragon of the Nebula, Song for Earth Day

The Horizontal Concert of Electroacoustic and Computer Music, Bard College, NY

Meeting the Free Dreamer (tape) Mar. 21, 1993

Columbia Computer Music - CBGB Gallery, Real Computer Music

Dragon of the Nebula July 1, 1992

Center for Contemporary Music Research

Computer Music Conference and Festival, Delphi, Greece

Meeting the Free Dreamer (computer and piano) April 4, 1992

Roulette, New York City

Dragon of the Nebula Mar. 20, 1992

musicians on and off the beaten path, Recital Hall, DeKalb University, IL

Dragon of the Nebula Oct. 20, 1991

International Computer Music Conference, Montreal, Quebec

Song for Earth Day June 15, 1991

First International Greek Psychoacoustics/Music Conference

KSYME (Center for New Music), Delphi, Greece

Mellipse Dec. 1, 1990

NEWCOMP’s “Winning Sounds”, First Congregational Church, Boston

Mellipse (tape and tai chi), Whalesong Oct. 15, 1989

Permanent and Disposable Music - Woof!

Columbia Computer Music - Merce Cunningham Dance Studio, NYC

Occurrents, Islands Feb. 5, 1989

Music, Myth and Magic - New York Women Composers

Merce Cunningham Dance Studio, New York

Stepping Apr. 26, 1988

New Bamboo - Barnard Music for an Hour

Occurrents Nov. 5, 1987

Concert of American Music - American Music Center, Univ. of Montevallo, AL

Occurrents Apr. 11, 1987

Midwest Composers Symposium, Oberlin Conservatory, Oberlin, Ohf

Selected Radio Performances:

Santa Fe International Festival of Electroacoustic Music, Feb. 9, 2006

KUNM 89.9 FM, Albuquerque and KUNM.ORG

bugs and ice, Abandoned Lake in Maine

Spark Festival 2005

Abandoned Lake in Maine

Bowling Green Music and Art 2005 composer interview

Featured composer on The Audible Woman

http://www.sarahpeebles.net/playlists/2001_playlist.htm

Implements of Actuation, Mellipse 2, Loonspace

Concerts Produced:

Sonic Explorations at CCM, University of Cincinnati

2-4 concerts per year of faculty student and visiting composers (C. Bahn and T.

Hahn, B. Boretz, C. Dodge, B. Garton, P. Lansky, T. Lopez, J. Merkowitz, P.

Oliveros, T. Pender, R. Pinkston, D. Thome, J. Klein, M. Roberts and others)

Jan 31, 2007, The Architecture of Sound, DAAP, UC, Cincinnati

Apr. 13, 2004, Sound Collaborations, Contemporary Arts Center

Festival of Experimental and Interactive Music, Oct 13-15, 2002, Studio Theater

Jan. 30, 2000, Faculty Artists Series, Composition Recital with Allen Otte,

Studio Theater, CCM, Cincinnati

Jan. 21, 1998, Faculty Artists Series, Composition Recital, Patricia Corbett Theater

Texas A&M University Sonic Explorations Electronic Music Concert Series:

Feb. 1994 - Brown Bag Lunch Concert, TAMU.

Sept. 1994 - Brown Bag Lunch Concert, TAMU.

Nov. 1994 - Tape Music Concert with Visiting Composer Russell Pinkston

Dec. 1994 - Concert Sonic Design Class Works - New Music, New Composers

Mar. 1995 - An Evening of Tape Music

Mar. 1995 - Computer Music by Women Composers

Apr. 1995 - Sounds of the World Around Us, Talk and Music by Paul Lansky

1990 New York Women Composers (Music Myth and Magic), NYC.

1986 Listen III - University of Illinois

Publications – Invited or Peer-reviewed:

String Paths score in Notations 21, MarkBatty Publishers, forthcoming, 2008.

Barry Truax’s Riverrun. Analytical Methods of Electroacoustic Music. Mary Simoni,

ed., pp. 187-238. Routledge: Taylor and Francis, 2006.

Virtual Musical Performance and Improvisation on Internet2. Organised Sound, 10:3, pp

201-207. Dec., 2005. (article, with opera excerpts on DVD).

Forum: Composing Women, Audible Traces, gender, identity, and music, pp. 19-20.

Carciofoli verlagshaus, Zurich, L.A. Jan., 2000.

Granular Synthesis Composition with StochGran and Max. Computers and Mathematics

with Applications: Mathematics, Computers and Music, E. Rodin, M. Witten, R.

Pinkston, ed. v. 32, No. 1, pp. 57-74. Pergamon, Elsevier, Great Britain, July, 1996.

A Multidimensional Analysis of Electroacoustic Music. Journal for New Music

Research, v.25 no. 1, pp. 77-103, 1996. Sound examples online:

http://www.swets.nl/jnmr/.

Review of the 1990 International Computer Music Conference. Perspectives of New

Music, v.29, no.1, pp. 312-318, 1991.

Publications – Conference or Other:

Intercultural Exploration. Proceedings of the International Computer Music Conference,

2008.

Center for Computer Music in Cincinnati in 2007: (ccm)2. Proceedings of the

International Computer Music Conference, pp 314-316, San Francisco, 2007.

Rock Music: Granular and Stochastic Synthesis based on the Matanuska Glacier,

Proceedings of the International Computer Music Conference, 2004.

StochGran on OSX. Proceedings of the International Computer Music Conference, 2002.

Software Designer/Programmer. Encyclopedia of Women in Music. Kristine Burns, ed.

Oryx Press. 2002.

Composer Interviews: Jon Christopher Nelson. Array online ICMA newsletter:

http://www.computermusic.org/array.php?artid=97

University of Cincinnati College Conservatory of Music Center for Computer Music.

Proceedings of the International Computer Music Conference 2001, and CDROM version, Bogota, Colombia, 2001.

Sound Exchange and Performance on Internet2. Proceedings of the International

Computer Music Conference, pp. 121-124, and CDROM version, S.F., CA, 2000.

Pril Smiley. The New Grove Dictionary of Music and Musicians. Stanley Sadie, ed.,

London, 2000.

Patchmix: A Cmix Instrument-Builder. Proceedings of the International Computer Music

Conference, Beijing, China, 1999.

StochGran on Silicon Graphics IRIX. Proceedings of the International Computer Music

Conference, pp. 251-252, and CDROM version, Ann Arbor, MI, 1998.

(CCM)2 - College-Conservatory of Music Center for Computer Music,

University of Cincinnati, Proceedings of the International Computer Music

Conference, 1997.

Review of Concert 7: Chinese Virtuosi, ICMC 1996, ARRAY, p. 29, Fall 1996.

Collage: Sound Colors Installation Software. Proceedings of the International

Computer Music Conference, pp. 251-252, Hong Kong, 1996.

Granular Synthesis and The FCurve Sound Generator. Proceedings of the International

Symposium of Electronic Arts, Montreal, 1995.

The FCurve Sound Generator with Granular Synthesis. Proceedings of the International

Computer Music Conference, Banff, Alberta, 1995.

1994 International Computer Music Conference (Review), International League of

Women Composers Journal, p. 15, Feb., 1995.

Review of the 1994 International Computer Music Conference, Computer Music Journal

v. 19, no. 2, pp. 99-100, Summer, 1995.

Review of Concert 7 of the 1994 International Computer Music Conference, ARRAY

(International Computer Music Assn. Newsletter), Winter 1994.

Computer Music at Texas A & M University Proceedings of the International Computer

Music Conference, Aarhus, Denmark, 1994.

Granular Synthesis with Cmix and MAX. Proceedings of the International Computer

Music Conference, Tokyo, 1993.

Review of the 1992 International Computer Music Conference Pre-Conference Events

Perspectives of New Music, 1993.

1992 International Computer Music Conference: Review of Concert Four. Computer

Music Journal, v. 17, no. 2, 1993.

Gender and Computer Music. ARRAY (International Computer Music Assn.

Newsletter), v.13, no. 2, Spring, 1993. reprinted also in News of Music, Australian

Computer Music Assn. Newsletter, and the Sonic Arts Network Journal (UK).

Review of ICMC1992 Paper Sessions. ARRAY (International Computer Music Assn.

Newsletter), November, 1992.

Timbral Composition and Gesture. Proceedings of the Computer Music Conference and

Festival. July 1992 in Delphi, Greece; Center for Contemporary Music Research.

Review of the 1991 ICMC: 2 Concerts. Computer Music Journal,1992.

Patchmix and StochGran: Two Graphical Interfaces. Proceedings of the International

Computer Music Conference, pp. 563-566, Montreal, 1991.

Composing the Output Interface. (with Brad Garton) Proceedings of the International

Computer Music Conference, pp. 139-142, Montreal, 1991. Reprinted in: News of

Music, Bard College Music Program Zero, 1992.

Patchmix: A C++ X-Window Graphical Interface to Cmix. Proceedings of the

International Computer Music Conference, Glasgow, 1990.

Graphical Interfaces at the 1990 International Computer Music Conference. ARRAY

(Computer Music Assn. Newsletter), November, 1990.

Presentations:

Nov. 15, 2008 “Recent Music and Wireless Sensor Research,” Korean National

University of the Arts, Seoul, Korea

Aug. 28, 2008, “Intercultural Exploration,” poster session at ICMC 2008, Belfast.

July 31, 2008, demonstration of sensors and music software for meeting with UC-CS

dept and General Motors.

Sept. 2007, “Center for Computer Music in Cincinnati in 2007: (ccm)2,” ICMC,

Copenhagen.

Winter, 2007, “Computers and Music” 3 classes of 6^th grade girls in local schools,

through AAUW Girls in Science program

July 10, 11, 13, 2007 “Computer Music Composition” Tamagawa Univ., Tokyo, Japan

July 6, 2007 “Multimedia Works” Jitter Camp, Kwangdong Univ., Korea

June, 2007, “Sound Collaborations” China Conservatory of Music, Beijing, China

May 15, 2007, “Music on Internet2,” University of Cincinnati, CCM Faculty Meeting

Apr. 11, 2007, “Sound Collaborations: Mara Helmuth Music”, Univ. of Louisville, KY

Mar. 16, 2007, “Music of Mara Helmuth”, Shawnee State University, Portsmouth, OH

Mar. 5, 2007, “Music of Mara Helmuth”, University of IL-Urbana, IL

Feb. 11, 2007, “The Art of Sound,” Incubator Conference, Music + Technology

University of California, San Diego, CA

Dec. 18, 2006 “Computers and Music” for Girls in Science Program, AAUW

Our Lady of the Visitation School, Cinti, OH

Apr. 20-1, 2006 Computer Music Performance and the Internet” Technology Showcase

Tangeman Center, UC

Sept, 2005 Gender and Computer Music, panel moderator at ICMC 2005, Barcelona.

June, 2005, Gender and Computer Music: Tracing Change Panel member

Feminist Theory and Music Conference 2005, NYU/CUNY, New York City.

Apr. 2, 2005, “Computers and Music,” for Science Fair day at the University of

Cincinnati.

Mar. 8, 2005, “Computers and Music,” Institute for Learning in Retirement course:

Behind the Scenes in the Arts, Univ. Cinn.

Feb. 28, 2005, “Music of Mara Helmuth,” Women Composers Series, Tulane Univ.

Nov. 2, 2004, “Rock Music: Granular and Stochastic Synthesis based on the Matanuska

Glacier”, ICMC 2004, Univ. of Miami.

Sept. 17, 2004, Panelist on Globalization Panel, Electronic Music Midwest,

Lewis University, Romeoville, IL.

June 6, 2004, lecture on recent collaborations at June in Buffalo, Univ. at Buffalo, 2004.

June 4, 2004, Master class at June in Buffalo, Univ. at Buffalo, 2004.

Dec. 11 2003, “Soundmesh - Computer Music Improvisation on the Internet” online

presentation with Matthew Suttor at Yale University and CCM

Oct. 28 2003, “Recent Computer Music” presentation on my music at Columbia

University Computer Music Center, New York.

Aug. 28, 2003, Art Damage Panel on Experimental Music, SSNova Gallery, Ron Orovitz,

moderator.

July 2003, “Origins of a Fantastic Dream and StochGran”, Tokyo Univ. of Technology and Tamagawa University, Tokyo

Mar. 2003, “Computer Music of Mara Helmuth”, China Conservatory of Music, Beijing.

Nov. 2002, “Recent Computer Music”, Ohio Composers of Electroacoustic Music,

Oberlin Conservatory, broadcast on community radio.

Oct 29-30 2002, “Soundmesh – Internet Sound Exchange” Fall Internet2 Meeting, USC, Los Angeles. Demonstration with Brad Garton, Douglas Repetto at Columbia U, and UC graduate students.

Sept. 2002, “StochGran on OSX”, ICMC 2002, Gothenburg, Sweden

Sept. 19, 2001 “University of Cincinnati College Conservatory of Music Center for

Computer Music”, ICMC 2001, Havana, Cuba.

May, 2001 “Focus on Technology” appearance on WVXU radio show, brief taped

interview on Internet 2.

Mar. 2, 2001, Panelist on “Women in Electroacoustic Music”, coord. by Elizabeth Hinkle

Turner SEAMUS 2001, Lousiana State University, Baton Rouge, LA

Mar. 3, 2001, “Internet Sound Exchange” SEAMUS 2001, Lousiana State University,

Baton Rouge, LA

Aug. 29, 2000 “Sound Exchange and Performance on Internet2”, International Computer

Music Conference, Berlin.

Mar. 17, 2000 “Windowing the Sound World: Compositions and Software”

College Music Society, Women and Music Technology Workshop, Agnes Scott

College, Atlanta, GA

Feb. 28, 2000 “Collaborative Composition” w. A. Otte Timara Studio, Oberlin College

Jan. 19, 1999, “Computer Music Explorations” for DAAP students, CCM, Univ. of

Cincinnati.

Oct. 21, 1999, “Electro-Acoustic Music in the World”, China Conservatory of Music,

Beijing, China.

Oct. 27, 1999, “Patchmix: A Cmix Instrument Builder”, International Computer Music

Conference, Beijing, China.

Oct. 15, 18, 19, 1999 “Explorations in Computer Music”, Tokyo, Japan.

Tokyo University of Technology (2 lectures)

Kunitachi College (2 lectures)

Keio University (2 lectures)

Nov. 10, 1998, “Granular Synthesis Composition” Transylvania Univ., Lexington, KY

Oct. 4, 1998, “StochGran on Silicon Graphics IRIX”, International Computer Music

Conference, University of Michigan, Ann Arbor, MI.

April 17, 1998, “StochGran on Silicon Graphics Computers” Society of Electroacoustic

Music in the US, Dartmouth College, Hanover, NH.

April 14, 1998, “Granular Synthesis and Sampling with StochGran and Cmix” Carnegie-

Mellon University Music Dept.

Sept., 1997, “CCM2 - College-Conservatory of Music Center for Computer Music,

University of Cincinnati”, International Computer Music Conference, Greece.

Aug. 22, 1996, “Collage: Sound Colors Installation Software” International

Computer Music Conference, Hong Kong University of Science and Technology.

April, 1996 “The FCurve System”, Society for Electroacoustic Music in the United

States Conference, Birmingham, AL.

Sept., 1995, “Granular Synthesis and The FCurve Sound Generator”, International

Symposium of Electronic Arts, Montreal, Quebec.

Sept., 1995, “The FCurve Sound Generator with Granular Synthesis” International

Computer Music Conference, Banff, Alberta.

Dec. 7, 1994, “FCurve/Sound Generator” (video), New Sounds, New Composers in

Sonic Design, Texas A & M University, College Station, TX.

Oct. 20, 1994, “A Multidimensional Analysis of Electroacoustic Music,” International

Colloquium “New Music Research” and Festival “30 Years IPEM”, Institute for

Psychoacoustics and Electronic Music, University of Ghent, Ghent, Belgium.

Sept. 15, 1994, “Computer Music at Texas A&M University,” International Computer

Music Conference, Aarhus, Denmark.

April 6, 1994, “Timbre and Experimental Composition,” Society of Electroacoustic

Music Conference, Middlebury, VT.

Mar. 14, 1994, “Experimental and Holistic Composition”, Bard College, NY.

Sept. 12 1993, “Granular Synthesis with Cmix and MAX,” International Computer

Music Conference, Tokyo.

April 15, 1993, Science and Music Conference 1993: Timbre Composition in

Electroacoustic Music at City University, London. “Timbral Composition with

Granular Synthesis”

March 31, 1993 Society of ElectroAcoustic Music Conference, Austin, Texas:

“StochGran” .

July 4, 1992, “Timbral Composition and Gesture,” Computer Music Conference and

Festival in Delphi, Greece by Center for Contemporary Music Research.

Oct. 1991, “Composing the Output Interface,” International Computer Music

Conference, Montreal 1991.

Oct. 1991, “Patchmix and StochGran: Two Graphical Interfaces,” International Computer

Music Conference, Montreal 1991.

Sept. 26, 1990, “Computer Music on the NeXT,” NeXT User’s Group Meeting

New York, NY.

Sept. 14, 1990, “Patchmix: A C++ X-Window Graphical Interface to Cmix”

ICMC Glasgow, Scotland.

Feb 7, 1990 Association of Computing Machinery Meeting, New York

“Algorithmic Composition and Granular Synthesis”.

June 15, 1986, “Let It Be Heard,” National Women’s Studies Association Conference at

the University of IL, Urbana, IL. (Presented with Charyl Kneevers)

Editorial:

Article Referee for Organised Sound 2004.

Guest editor of Organised Sound Issue 7:3 on Interactivity, Dec. 2002.

ICMA Officer: Editor of ARRAY newsletter, 2000-2003.

ICMC 1999 Program Editor

ICMA Officer: Co-Editor with Joran Rudi of ARRAY, newsletter of Int’l Computer

Music Assn. Spring ‘98 to Dec. ‘99.

Editorial Board of Mikropolyphonie Online Journal v.1, 1996.

Co-editor of newsletter for SEAMUS 1995-1996, v.25 no.2 to v.26, no. 2.

Professional Associations:

International Computer Music Association

2008-2010 President

2008 paper reviewer

2004-2006 Vice President for Conferences

2004 Programming Committee (Papers), 2003 ICMC Music Jury Coordinator

2003 Eric Siday Composition award reviewer

1998-2001 Board of Directors, Americas Region (elected position)

2000, 1997 and 1996 ICMC Paper Selection Committees

2001, 1997 ICMC Paper Review Committees

1994 International Computer Music Association Commission Award

Nominating Committee.

Society of Electro-Acoustic Music in the United States

2001 ASCAP/SEAMUS student commission award jury

2001 Paper Selection Committee, 1998 Paper Selection Committee

American Composer’s Forum

International Alliance of Women in Music

American Music Center

Recordings of Other Composer’s Music using my Software (minimal list):

Chris Koenigsberg: Brains, review: homepage.mac.com/dmccabe/koenigsburg.html

Electro Acoustic Music VI - Neuma Records, Mark Sullivan: thirty-two prose segments

Competitions:

Honorable mention in 1998 International Electroacoustic Music Competition at Bourges

for Abandoned Lake in Maine in Quadrivivium, Program Category

Third Prize, 1990 NEWCOMP Computer Music Composition Competition, Mellipse.

Related Activities:

Deep Listening Retreat July 16-22, 2000 in Haliburton, Ontario.

1980-1982 WEFT, Urbana, IL, Community Radio Station. Program. committee,

announcer, produced new music show.

Technical Skills:

Music Programming Languages:

extensive work in RTCmix, Max/MSP, Csound, etc.

Programming Languages - extensive work in C, Objective C, C++

Internet2: Access Grid, RTcmix

Animation: Flash MX, Softimage Creative Environment

Music Notation: Sibelius, Nightengale

Graphics/Interface: OSX Cocoa, UNIX, X, SGI

Operating Systems administrated: OSX, SGI, Linux, UNIX

Animation: Flash, Softimage Creative Environment, XSI

Video: iMovie, FinalCut Pro, iDVD, DVD Studio Pro

Sequencing and Digital Audio: Logic Platinum

Experience with MIDI applications

Experience with tape music techniques and analog synthesizers